Gouri Amma


Gouri Amma✓

Medha Yodh
Los Angeles, United States
5 students ↓
Aggie Brennmen
SF Bay Area, United States
2 students ↓
Shyamala Mohanraj
Chennai, India
4 students ↓
Lakshmi Knight
Chennai, India
3 students ↓
Indira Reddy
Kendall Park, New Jersey, USA
1 student ↓
Priyamvada Sankar
Montreal, Canada
1 student ↓
Aniruddha Knight
Chennai, India
Bonnie Novokov
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Lineage Stats
Lineage Overview
- ✦This lineage spreads across 7 countries.
- ✦Bharatanatyam is the primary style.
- ✦Avg. 19.0 students per direct shishya.
- ✦This lineage is 4 generations deep.
🪔 About
Mylapore Gouri Amma (1892 – January 22, 1971) was a legendary Indian classical dancer and an eminent guru of Bharatanatyam, widely recognized for her profound contribution to the art form. Born in 1892 in Mylapore, Madras (now Chennai), Tamil Nadu, into a family of hereditary temple dancers, she was the great-granddaughter of the renowned musician Mylapore Dhanam. Her mother, Doraikannamma, a celebrated dancer herself, served as Gouri Amma's first teacher and was instrumental in developing her exquisite abhinaya (expressive acting). Gouri Amma further honed her dance skills under the tutelage of the great master Nallur Munuswamy Nattuvanar. Gouri Amma was the last Devadasi attached to the historic Kapaleeshwarar Temple in Mylapore, where she performed for the deity. She was celebrated for her unparalleled perfection in Bharatanatyam, particularly her flawless synchronization of muscle movement and emotions, and her captivating musical voice, often singing while performing abhinaya. Her public performances included a highly acclaimed presentation at the Music Academy, Madras, in 1932, and her last known public appearance at the Silver Jubilee function of the Indian National Congress in 1935. The abolition of the Devadasi system through the Anti-Nautch Bill significantly impacted her career, leading to the loss of her temple patronage and residence. Subsequently, Gouri Amma dedicated herself to teaching, becoming an influential guru who preserved and propagated the traditional nuances of Bharatanatyam. She taught at Kalakshetra and was instrumental in shaping the careers of many stalwarts. Her immense contributions were recognized with several prestigious honors, including the Sangeet Natak Akademi Award in 1959. Awards & Honours: Madras Music Academy Honour (1956), Natya Kalanidhi (1958), Sangeet Natak Akademi Award for Bharathanatyam (1959).
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