Samu Nattuvanar
Samu Nattuvanar✓
Chitra Visweswaran
Chennai, India
17 students ↓

K J Sarasa
Chennai, India
27 students ↓
Padma Subrahmanyam
Chennai, India
17 students ↓
Vazhuvoor R. Samraj
Chennai, India
6 students ↓
S.K. Kameswaran
Chennai, India
5 students ↓
Hemamalini Arni
Hyderabad, India
5 students ↓
Kamala Lakshman
New York City, India
4 students ↓
Thiripurasundari Cumarasamy
Colombo, Sri Lanka
2 students ↓
Lakshmi Ramaswamy
Chennai, India
14 students ↓
Kausalya Srinivasan
Chennai, India
4 students ↓
Anita Menon
Chennai, India
4 students ↓

Rajalakshmi Roopesh Lakshman
chennai, India
2 students ↓

Sukanya Ravindhar
Chennai, India
1 student ↓
Aarthi Haritha Srinivasan
Chennai, India

Aparna R
Chennai, India
Indumati Ganesh
Fremont, United States
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Lineage Stats
Lineage Overview
- ✦This lineage spreads across 13 countries.
- ✦Bharatanatyam is the primary style.
- ✦Avg. 115.0 students per direct shishya.
- ✦This lineage is 6 generations deep.
🪔 About
Samu Nattuvanar was a revered figure in the lineage of hereditary nattuvanars from Vazhuvoor, a village in Tamil Nadu, India, known for its ancient and distinct Bharatanatyam tradition, the Vazhuvoor bani. He was the grandson of Veerappa Nattuvanar, and his illustrious ancestors also included Nagappa Nattuvanar and Pithu Nattuvanar. Samu Nattuvanar was widely recognized as a great dance master, celebrated for his profound knowledge and mastery of both the theoretical and practical aspects of Bharatanatyam. He was a contemporary of the equally esteemed Pandanallur Meenakshisundaram Pillai, indicating his significant standing in the classical dance world of his time. As a patriarch of the Vazhuvoor tradition, Samu Nattuvanar played a crucial role in preserving and transmitting the art form. He was the father of Manickka Nattuvanar and the maternal grandfather of the legendary Vazhuvoor Ramaiah Pillai, who would later become instrumental in popularizing and refining the Vazhuvoor style globally. Samu Nattuvanar's teaching legacy included guiding numerous Devadasis, among whom the celebrated Madhurantakam Jagadambal Ammal is specifically documented as his student. His contributions to the art form also extended to choreography, as evidenced by his composition of a Padavarna titled "Mayyal konda" in Huseni raga, set to Rupaka tala. While no specific academy was founded by him, his profound influence laid the groundwork for the later establishment of the Vazhuvoorar Classical Bharatanatya Art Centre by his grandson, continuing his rich artistic heritage.
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